Sarah Chang digs into Sumptuous Sibelius: Ever since her first Bay Area appearances as a young artist, violinist Sarah Chang has matured into a musician of formidable gifts, bringing a thrilling combination of technical precision and tonal allure to each new performance. Chang returns this week as soloist with the Asian Youth Orchestra to play the always-ravishing Sibelius Violin Concerto. Presented by Cal Performances, the program also includes Beethoven’s Symphony No. 7 and Richard Strauss’ “Don Juan.” Richard Pontzious conducts. Details: 8 p.m. Saturday; Zellerbach Hall, UC Berkeley; $36-$86; 510-642-9988; calperformances.org.— Georgia Rowe, Correspondent.
There may be violinists who take a more incendiary approach to this concerto, But with Morgan leading a flowing, well-paced performance, Renshaw impressed with intelligent phrasing, crisp intonation and straightforward eloquence, In the concerto’s outer movements, the violinist combined incisive articulation with dramatic expressiveness; his playing in the slow movement was both rapturous and clear-eyed, a secure blend of warmth and eloquence, There were rewards throughout the program, which opened with the West Coast premiere of Bates’ “Devil’s Radio.” Composed in a single movement, the 10-minute score is a brief but potent riff on the adage, “Rumor is the devil’s radio.” It opens with the sound of sparkly woodwinds introducing a delicate dance, as if the composer had let a genie out of a bottle, The score quickly expands on a bluesy groove, then builds to a fiery, dark-hued crescendo, Bates, who established his career in Oakland (he’s now in residence with the Chicago Symphony maya. pink suede ballet flats/ women's shoes/ bridal flats. available to custom order only! Orchestra), draws a wealth of color and texture from each section, and Morgan delivered a deft performance, with the brass and percussion players earning top honors..
Hunter will again strengthen connections between deaf artists and others with this year’s edition of the festival, which brings together deaf and hard-of-hearing performers and artists in dance, music, the fine arts and crafts. Presented by Hunter’s Urban Jazz Dance Company and Dance Mission Theater, the event features troupes such as London’s Signdance Collective International, Wild Zappers from Washington, D.C., and companies from Turkey, Russia and elsewhere. In addition to Dance Mission performances, the festival includes workshops in belly dance, jazz, hip-hop, ballet and American Sign Language dance, taught by artists who sign fluently. Workshops will be given in locations ranging from Santa Cruz and the South Bay to San Francisco and the East Bay.
But some industry officials concede that the evidence backing the claims of educational apps is thin, “Traditionally our members have worked with physical products, so apps are really new,” said Stacy Leister, a spokesman for the Toy Industry Association, Within hours of the CCFC’s complaint, the association’s staff decided to fight the organization’s challenge, But the group, which has focused more on safety issues, did not have its own research and did not know what studies have been done on the matter, Leister said, Several other analysts say there is maya. pink suede ballet flats/ women's shoes/ bridal flats. available to custom order only! no definitive study on the benefits of educational apps aimed at children..
Robert Kyncl, head of content and business operations at YouTube, welcomes the challenges to its online dominance, even if other platforms are enticing creators with better cuts of revenue. Richer creators will “have more and better content to publish on YouTube,” he says. “We don’t live in a world that is mutually exclusive.”. A panoply of ways to earn money outside of YouTube have recently emerged. Vessel, a video service launched in January by former Hulu CEO Jason Kilar, offers creators 15 percentage points more ad revenue share than YouTube, as well as 60 percent of the $3 per month fee from subscribers who want days-early access to videos before they show up elsewhere.
