“The tone here, as it always is, is about the community,” said Smestad, who added that while the event has been put on by History San José for two decades, there have been periods of lull. “We really got it started again with a potluck that brought the descendants of the original families back together.”. They’re familiar names, such as Peralta, Alviso, Pacheco and Berreyesa, an appellation more familiar to contemporary Bay Area residents as Berryessa. The expedition was led by Juan Bautista de Anza, who came north from the Sinaloa area of what is now Mexico, through Arizona and eventually to San Jose.
So the arts groups in downtown’s SoFA District came up with a helpful solution, asking Garden City Construction owner Jim Salata if they could use the sign to give some direction to downtown visitors, Now one side points toward the art galleries, cafes and restaurants on South First Street, and another arrow points in the other direction toward the plentiful parking under Interstate 280, The Institute of Contemporary Art’s in-house designer came up with the graphic, which should help visitors out during this Friday’s monthly dance lettering - machine embroidery design, pointe embroidery, ballet embroidery art crawl through the district, Cathy Kimball, executive director of the ICA, said Salata begrudgingly agreed to the change of the sign, which is on his company’s property, Of course, that’s all bark — Salata and his company are longtime supporters of the arts in San Jose..
The band agreed, and the recording session was scheduled for 11 a.m. Nov. 6 in the band’s Brucker Hall. Devron and Tom Diaz were both present. “I’ve been working on this for a year and three months,” Devron said. “I was delighted.”. As he sat listening to the music, Tom Diaz said he thought of his father — how he would listen to opera on the radio, how he loved the music of John Philip Sousa, and how he had showed up at the front door with a big duffel bag when the war was over.
In the dance offs, Janel and Val got immunity, and if what Tom said is true, they also got an additional three points for a high score of 43, Then the couples squared off — Alfonso and Witney against Lea Thompson and Artem Chigvintsev in the jive; Sadie and Mark against Bethany Mota and Derek Hough in the cha cha; and Tommy Chong and Peta Murgatroyd against Michael and Emma in the rumba, The extra three points for a win went to Alfonso and Witney, Bethany and Derek, and Tommy and Peta, The award for best lines of the night went to Tommy Chong, who was suffering an injury to his calf muscle (and then re-injured it during his individual dance) and Erin Andrews, Erin was being sympathetic while waiting for the couple’s scores and dance lettering - machine embroidery design, pointe embroidery, ballet embroidery Tommy complained that he “can’t take his favorite pain killers.” Erin came right back with, ” What are they? Are you sharing?”..
Sunday at the Stanford Jazz Festival, they joined with tenor saxophonist Eric Alexander, a protégé and the night’s nominal leader. But the show was more like a jam session than a formal presentation by any kind of a working band. All together, there were six pros on stage at Dinkelspiel Auditorium, and what they played was as good a summary of what used to be the jazz mainstream as you’re likely to find these days: hard bop, music that cooks with energy and soul. Think Art Blakey, Horace Silver, Freddie Hubbard. Think “Speak Low” and “Just One of Those Things,” done up with three-part horn arrangements and a dramatic cymbal splash from Hayes to introduce each soloist.
